kaigou: this is what I do, darling (whedon wisdom)
[personal profile] kaigou
The drawback of a multi-POV story, it seems, is that you could conceivably consider the story to be three stories in one, since each character is going to have his/her own take on the big picture. Now that I've started to (finally) settle down on each character's share of the story -- and his/her perspective and role in the catastrophes -- I'm left puzzling out one basic but crucial detail.

Who gets the first shot?

In a multi-POV story, how do you determine who starts the story? Have you successfully written (or read successfully-written) stories in which a lesser character jump-starts things before it moves to a major character? Or do your best recollections of story-starts focus on those stories in which the character who ends up with the greatest amount of focus is also the one to begin (and possibly end) the story?

...

She considered letting the tea-tray eat the annoying man, since she hadn't a single charm that might work on badge-carrying Americans, and it was too early in the day to offer sake. Drowning guests in alcohol held no propriety until at least mid-afternoon.

Date: 5 Mar 2008 08:21 pm (UTC)
From: [identity profile] aulus-poliutos.livejournal.com
I'd have to say, mixing the two (omni and deep) just seem an almost incomprehensible tactic, to me. Definitely far above my skill level!

I don't know if I do it well, but the scenes that pop up in my head (out of order and for 3-4 projects parallell) come with a POV, doesn't work for me to rewrite an omni scene in single third, so I don't do it anymore.

It's crazy. Or maybe I'm crazy. :)

whois

kaigou: this is what I do, darling (Default)
锴 angry fishtrap 狗

to remember

"When you make the finding yourself— even if you're the last person on Earth to see the light— you'll never forget it." —Carl Sagan

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