through someone else's view
28 Jun 2011 02:34 pmRereading Rain Fall by Barry Eisler, and I'm reminded of one of my favorite nonfiction reading topics (other than architecture, that is): travelogues of places I've been, written by non-natives. Specifically, works like Ciao, America (written by an Italian attache stationed in Washington DC). There's something intriguing to me about what people notice, when they arrive as adults to an unfamiliar culture, things I take for granted as a native.
I don't mean in the sense of romanticizing the locale (although that is a risk), but in the little things. It's part of the tone, but also part of the details noticed. It's gotten to the point that I treasure a writer (of any origin) who can do the same in fiction, and one reason that many SFF books disappoint me, because these details are often left out (or just as bad, read like they could be from anywhere).
My travelogue-books are all hardcopy (and in the library, at that, and I'm too lazy to go digging for them), but this copy of Rain Fall is electronic, so it's handier as example. It's a scene very early in the book, where John Rain is trailing his most recent assignment. Long, but I think worth it as illustration.
I don't mean in the sense of romanticizing the locale (although that is a risk), but in the little things. It's part of the tone, but also part of the details noticed. It's gotten to the point that I treasure a writer (of any origin) who can do the same in fiction, and one reason that many SFF books disappoint me, because these details are often left out (or just as bad, read like they could be from anywhere).
My travelogue-books are all hardcopy (and in the library, at that, and I'm too lazy to go digging for them), but this copy of Rain Fall is electronic, so it's handier as example. It's a scene very early in the book, where John Rain is trailing his most recent assignment. Long, but I think worth it as illustration.
The light at the bottom of Dogenzaka was red, and the crowd congealed as we approached the five-street intersection in front of the train station. Garish neon signs and massive video monitors flashed frantically on the buildings around us. A diesel-powered truck ground its gears as it slogged through the intersection, laborious as a barge in a muddy river, its bullhorns blaring distorted right-wing patriotic songs that momentarily drowned out the bells commuters on bicycles were ringing to warn pedestrians out of the way. A street hawker angled a pushcart through the crowds, sweat running down the sides of his face, the smell of steamed fish and rice following in his zigzagging wake. An ageless homeless man, probably a former sarariman who had lost his job and his moorings when the bubble burst in the late eighties, slept propped against the base of a streetlight, inured by alcohol or despair to the tempest around him.
The Dogenzaka intersection is like this night and day, and at rush hour, when the light turns green, over three hundred people step off the curb at the same instant, with another twenty-five thousand waiting in the crush. From here on, it was going to be shoulder to shoulder, chest to back. I would keep close to Kawamura now, no more than five meters, which would put about two hundred people between us. I knew he had a commuter pass and wouldn’t need to go to the ticket machine. Harry and I had purchased our tickets in advance so we would be able to follow him right through the wickets. Not that the attendant would notice one way or the other. At rush hour, they’re practically numbed by the hordes; you could flash anything, a baseball card, probably, and in you’d go.
The light changed, and the crowds swept into one another like a battle scene from some medieval epic. An invisible radar I’m convinced is possessed only by Tokyoites prevented a mass of collisions in the middle of the street. I watched Kawamura as he cut diagonally across to the station, and maneuvered in behind him as he passed. There were five people between us as we surged past the attendant’s booth. I had to stay close now. It would be chaos when the train pulled in: five thousand people pouring out, five thousand people stacked fifteen deep waiting to get on, everyone jockeying for position. Foreigners who think of Japan as a polite society have never ridden the Yamanote at rush hour.
The river of people flowed up the stairs and onto the platform, and the sounds and smells of the station seemed to arouse an extra sense of urgency in the crowd. We were swimming upstream against the people who had just gotten off the train, and as we reached the platform the doors were already closing on handbags and the odd protruding elbow. By the time we had passed the kiosk midway down the platform, the last car had passed us and a moment later it was gone. The next train would arrive in two minutes.