(If you're not familiar, "shounen" means "boy", and is used as the genre-name for action/adventure stories geared towards boys, usually aged about 11-16 or so. "Shoujo" is the genre for girls of equivalent age.)
From endersgirrrl's review of Bloody Monday:
I adore Ender's Girl's reviews, partly for often having some crucial insights I missed while watching, and always for having a completely torqued and spastic sense of humor that clearly loves the shows while skewering them mercilessly. (Even if you haven't seen the show, thus, EG's review is worth the five-minute read if you need a bit of levity in your day.)
( Beyond that, though, I was thinking about something I was told when first writing urban fantasy... )
In a semi-related vein, I want to save this somewhere more reliable than just my email inbox, just because it's important to remember. From a thread on femslash, another Branchian piece of brilliant observation:
From endersgirrrl's review of Bloody Monday:
The shounen manga Bloody Monday was the brainchild of prolific writer Agi Tadashi (credited as Ryumon Ryou), who also penned the manga Kami no Shizuku [...] And it’s interesting how the shounen vs. shoujo genres play to two fundamentally disparate adolescent yearnings: shounen manga panders to every hormonal teenage boy’s most basic non-sexual fantasy, which is to be a Superhero (but — in disguise!!!), while shoujo manga puts a premium on an adolescent female protagonist realizing!her!relationships! — be they romantic or platonic.
Shounen manga is much more result-oriented, i.e. the teenage Hero with a small but loyal band of like-minded friends saves something or someone close to him, with the highest aspiration really being to SAVE THE WORLD. [...] In shounen manga, character development takes a backseat to plot (and plot is really all about Accomplishing!the!Mission!), while in shoujo manga, character development supersedes plot action as the protagonist/s are more focused on working through their feelings and experiencing inner growth — and all that sappy SweetValleyHigh-ish stuff, lol.
[In Bloody Monday, all] the staples of the quintessential shounen manga are here: a teenage Hero with “special abilities” (in this case, hackingand, uh, looking unbelievably good in hoodies); the Hero’s brainy best bud, who has his own “special-but-not-AS-special-as-the-Hero’s abilities” (in this case, archery skills and spouting random useless trivia — like when Christmas Day is really celebrated in Russia); their loyal friends (usually of the same age bracket — in this case, the Newspaper Club at school); the token Hot Chick on the side of the Baddies; a Mission that only the teenage Hero can accomplish (natch!); the techno-gadgetry and gizmo-geekery galore! galore!; and oodles of HardyBoy-esque action — chase sequences! messy explosions! and rooftop standoffs! (oh my!)
[...]
If [the show/manga plot] sounds vaguely familiar, you may recall the Aum Shinrikyo (now Aleph) terrorist cult that perpetrated the well-documented sarin gas attacks on the Tokyo subway in 1995, killing 12 commuters and injuring hundreds. [... Given] that the real-life Baddies’ shenanigans are obviously no child’s play, you understand why the manga writer would want to dull the edge of their depravity by sketching up these cartoonized (read = shounen-friendly) versions.
And the best way to dumb down all the crazymonkeybaddies? Is to make the TRUE ringleader… well, just like our teenage Hero. No I mean, literally just like our teenage Hero. So in the end, the Uber-Villain is revealed to be not a 50-year-old barefoot mystic, or a twentysomething math genius, but… oh, just another kid. [...] It’s stupid as sh*t, but you kind of understand how it also reveals the true heart of a 12-year-old manga-wanking fanboy: by vicariously channeling the story’s Hero, he can ONLY save the world IF the villain is just like him – in age, stature and abilities. This really is the ultimate shounen-manga satisfaction: by leveling the playing field, the inherent absurdity of a hormonal teenager saving the world becomes much, much easier to stomach. Whoopeeee. Long live the 12-year-old fanboy, may his precious manga collection never get eaten by termites, may mummy never catch him – uh, doing funny sh*t inside his closet with a stash of ecchi comics, and may he never turn into a sociopathic whack job later in life, lol.
I adore Ender's Girl's reviews, partly for often having some crucial insights I missed while watching, and always for having a completely torqued and spastic sense of humor that clearly loves the shows while skewering them mercilessly. (Even if you haven't seen the show, thus, EG's review is worth the five-minute read if you need a bit of levity in your day.)
( Beyond that, though, I was thinking about something I was told when first writing urban fantasy... )
In a semi-related vein, I want to save this somewhere more reliable than just my email inbox, just because it's important to remember. From a thread on femslash, another Branchian piece of brilliant observation:
We can step around the boys, the same way slash steps around the girls, but we have to step wider because they’re taking up more space.