Spent the last three weeks either frozen in overwhelmed stress, or churning mentally through everything on the to-do list (and only managing to get motivated to tackle in the last-minute panic of being down to the wire), thanks to various relatives visiting for graduation week. Somehow I managed to make it through almost five days of parent & step-parent visiting without throttling anyone, or regressing into a petulant sixteen-year-old arguing with my father. Except for the last little bit of Saturday evening, when I was already exhausted from the morning at graduation followed by an afternoon and evening of a stream of guests for an open house, and I'm still rather pissed at my dad, but haven't decided what to do about it. Eh, well. Now I sit here, feeling like I should be going go-go-go in frantic mode, yet... there's no longer any reason to be frantic.
Meanwhile, got a copy of Gender Pluralism: Southeast Asia Since Early Modern Times
. (Also got The Signore: Shogun of the Warring States
which is a really misleading sub-title, since Nobunaga was never shogun, but otherwise it's a great book, except it caught the MiL's eye and she asked to borrow it to have something to read on the plane. Figures.) Anyway, Gender Pluralism
is a fascinating text. Well-written, nicely foot-noted but not overwhelmingly so, balanced between interpreting folklore/legend (ie Siva and other archetypal role-model gods) and contemporary eye-witness reports of the various cultures. Especially, doesn't conflate "this is acceptable, even expected, for gods" (ie intersexuality or bisexuality) with "this is therefore just fine for humans" since the opposite is too often true. All in all, fascinating text on systems of gender understandings that aren't dominated by the West's man vs woman premise.
Also, between following only three series this season (Mouretsu Pirates, Sakamitchi no Appollon, and Eureka Seven Ao), also been mainlining... wuxia. That's right, wuxia. I've come to the conclusion that wuxia is China's analogue to epic fantasy in the Western world, but with more fart jokes. Analogue as in: highly romanticized and somewhat sanitized take on ancient times, with magic and the usual extra heapings of chivalry and 'odd band of merry fellows'. Except that wuxia's band of merry fellows seems to be more likely to include fellow-ettes, who do their own fighting, thank you. ( Various reviews: Strange Hero Yi Zhi Mei, Chinese Paladin 3, and The Young Warriors. )
Currently downloading Dan Ren Wu
(Big Shot), because I haven't seen anything with Nicolas Tse, and I figure the romantic storyline should be a nice change after Young Warriors
(hedging my bets that the series will have some rocks fall, since it is the Yang Clan and they're kind of known for the rocks falling part). Also sitting around waiting for someone to show up and seed The Holy Pearl
... which apparently is a Chinese live-action retelling/adaptation of -- I am so not making this up -- Inuyasha
. Noticeably, Kagome (now Ding Yao) is not a school girl, but an archaeologist's daughter in her mid-twenties; if nothing else, wuxia doesn't seem to fetishize the prepubescent/adolescent female half so much as K-dramas and J-dramas. The whole bit about the sacred jewel has been Chinese-ified into a pearl leftover from when Nuwa created the world, and Wen Tian (the Inuyasha role) is now a human-dragon hybrid.
Me: I'd never heard anything about a live-action television adaptation of Inuyasha
, but then, as soon as you have a jewel in pieces and a half-demon male protagonist, people always start crying that it's Inuyasha.
CP: It's not like Takahashi invented the idea of a sacred broken jewel.
Me: Or the idea of half-demons. But we'll see... if I can just get a seed. I'm just not convinced it's really based on Inuyasha. I mean, it's only thirty-two episodes! You can't possibly adapt Inuyasha in only thirty-two episodes.
CP: Unless each episode is ten hours long.
Also, my copy of The Confusions of Pleasure: Commerce and Culture in Ming China
just arrived. Yay!
ETA2: I could've just cut to the chase and linked to dangermousie
's list of things learned from wuxia
. I'd add more, but then I realized some things are universal -- from wuxia to romcoms -- like when one character starts the story insisting on undying hatred. If the object of hatred is same-sex, then the story ends with forgiveness (even if mid-rock-falling). If the object of hatred is opposite sex, Houston, we have OTP.